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      <image:title>Blog - A Tincture of Time: Annika Earley - This project is funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.</image:title>
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      <image:title>Blog - A Tincture of Time: Annika Earley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - A Tincture of Time: Annika Earley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - A Tincture of Time: Annika Earley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - A Tincture of Time: Annika Earley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.ameliagarretson-persans.com/blog/a-tincture-of-time-dana-dotson</loc>
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    <lastmod>2020-07-08</lastmod>
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      <image:title>Blog - A Tincture of Time: Dana Dotson - Dana modeling the mother character’s vest</image:title>
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      <image:title>Blog - A Tincture of Time: Dana Dotson</image:title>
      <image:caption>Initial concept sketch by Amelia Garretson-Persans which Dana used to design the mother’s costume. I wanted the mother’s costume to stand out against the more formal, druid-y costumes of the medical practitioners. I imagine her as a kind of civilian warrior. The world of the film is psychedelic, a little sci-fi. She could wander onto the set of Solaris and not be questioned.</image:caption>
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      <image:title>Blog - A Tincture of Time: Dana Dotson</image:title>
      <image:caption>Dana process shots.</image:caption>
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      <image:title>Blog - A Tincture of Time: Dana Dotson - Final costume modeled by Amelia</image:title>
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      <image:title>Blog - A Tincture of Time: Dana Dotson</image:title>
      <image:caption>Costume sketches by Dana. I imagine the medical practitioners to look like shamans or Druids, accessing a layer of mystical knowledge that patients are not privy to. In the film, the mother befriends a nurse named Melodia who helps her to understand the mysterious inner workings of the hospital. I wanted Melodia’s costume and character to stand out in the way that one nurse who really seems to see you does.</image:caption>
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      <image:title>Blog - A Tincture of Time: Dana Dotson</image:title>
      <image:caption>Medical practitioner costume in process. I wanted the costumes to reference medical scrubs in color, hence the recognizable scrub green.</image:caption>
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      <image:title>Blog - A Tincture of Time: Dana Dotson - Finished medic costume modeled by Amelia</image:title>
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      <image:title>Blog - A Tincture of Time: Dana Dotson</image:title>
      <image:caption>Trailer film still with actor in finished scrub costume.</image:caption>
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    <lastmod>2020-06-11</lastmod>
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      <image:title>Blog - A Tincture of Time: Artist Alexa James Clavette</image:title>
      <image:caption>The hospital I imagine is filled with surreal and mystical moments. I’m interested in capturing the emotional experience of spending a lot of time in the hospital while you are there with someone you love. For this reason a psychedelic fantasy epic felt most appropriate. Your mind finds ways to cope with the uncertainty of being there and to deal with the daily stresses inherent in the hospital structure itself. You begin to imagine yourself as a hero on a journey - even (and maybe especially) when nothing much is happening. I found the hospital to be an incredible blend of deep, sublime magic and bumbling, soul-crushing bureaucracy. This concept sketch by Alexa James Clavette depicts a hum-drum hallway in the basement of the hospital as it transforms into a glittering crystal cave.</image:caption>
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      <image:title>Blog - A Tincture of Time: Artist Alexa James Clavette</image:title>
      <image:caption>The crystal cave in the hallway ends with an illuminated door which opens to this arboretum. In the arboretum most of the trees grow upside down. Throughout the film, there is a theme of nature subverted. Medical practitioners are both deeply connected to and detached from nature throughout the film. There is a sense of a deeper natural power that runs through the hospital, though it mostly appears in a thwarted or subverted form: trees growing upside down for instance. There is no natural light anywhere but there are many instances of lushness. Jungle vines growing under florescent lights and exotic animals behind lab doors. In the film, nature ultimately breaks loose in the form of impish and terrifying sprites. This concept sketch was also created by Alexa James Clavette with the prompt that I imagined it to be a kind of Willy Wonka garden…</image:caption>
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    <lastmod>2020-04-18</lastmod>
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      <image:title>Blog - A Tincture of Time: Ultrasound Dance</image:title>
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      <image:title>Blog - A Tincture of Time: Ultrasound Dance</image:title>
      <image:caption>Photo credit Hannah Rafkin</image:caption>
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      <image:title>Blog - A Tincture of Time: Ultrasound Dance</image:title>
      <image:caption>Photo credit Hannah Rafkin</image:caption>
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      <image:title>About - About</image:title>
      <image:caption>“My interdisciplinary practice spans writing, experimental filmmaking, and live performance and is often psychedelic, autobiographical and collaborative. As a writer, I’m interested in using genre (erotica, fantasy, self help, etc.) to access greater truths. My films are often a mix of formal and emotional investigation. As a mother and an artist, I tend to combine ‘home movies’ and studio experiments to create video poems, using the editing process to develop rhythm and find continuous threads in disparate imagery. My performance work combines dance, light and shadow, and physical materials to explore the relationship of internal to external landscapes.” Amelia Garretson-Persans is an interdisciplinary artist based in Portland, Maine. She received her BFA in Studio Art from Concordia University in Montreal in 2008 and her MFA from the Maine College of Art &amp; Design in Portland, ME in 2016. Her film, writing, and theatrical work has received awards and recognition, including a Critics Choice Award in 2025 from the PortFringe Festival for her original play, A Tincture of Time, and a Maine Literary Award for Excellence in Publishing in 2023 for her very handsome book, Where the Avonley Seed Falls. She is the recipient of numerous grants, including two Kindling Funds, and multiple Maine Arts Commission grants. She has shown work in Maine, New York, Tennessee, Quebec and elsewhere. Her residencies include the Wedding Cake House Residency in Providence, RI, the Digital Narratives residency at the Banff Centre in Alberta, the Jenny Family Residency in Nova Scotia and the Stephen Pace House in Maine. She lives and teaches in Portland, ME with her two terrific kids, Paul and Lily.</image:caption>
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      <image:caption>Photo credit Harlan Crichton</image:caption>
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      <image:caption>Photo credit Harlan Crichton</image:caption>
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      <image:caption>Photo credit Harlan Crichton</image:caption>
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    <image:image>
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      <image:caption>Photo credit Harlan Crichton</image:caption>
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    <lastmod>2025-08-03</lastmod>
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    <lastmod>2025-08-03</lastmod>
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      <image:caption>Photo credit Sokvonny Chouk</image:caption>
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    <image:image>
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    <image:image>
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    <priority>0.5</priority>
    <lastmod>2025-08-01</lastmod>
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